Death Becomes Her Never Again Madeline
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In 1978, on Broadway, the decadent and narcissist actress Madeline Ashton is performing Songbird, based on Tennessee Williams' Sweet Bird of Youth. Then she receives her rival Helen Sharp, who is an aspiring writer, and her fiancee Ernest Menville, who is a plastic surgeon, in her dressing-room. Before long Menville calls off his commitment with Helen and marries Madeline. Seven years later on, Helen is obese in a psychiatric infirmary and obsessed in seeking revenge on Madeline. In 1992, the marriage of Madeline and Menville is finished and he is no longer a surgeon but an alcoholic caretaker. Out of the blue, they are invited to a party where Helen volition release her novel Forever Young and Madeline goes to a beauty store. The owner gives a business card of the specialist in rejuvenation Lisle Von Rhuman to her. When the envious Madeline sees Helen thin in a perfect shape, she decides to seek out Lisle and buys a potion to become young again. Further, she advises that Madeline must take care of her body. Meanwhile Helen seduces Menville and they plot a scheme to impale Madeline. When Madeline comes abode, she has an argument Menville and he pushes her from the staircase. She breaks her neck merely becomes a living dead. When Helen arrives at Menville'south business firm expecting that Madeline is expressionless, she is murdered by Madeline. But she also becomes a living dead and they conclude they need Menville to assistance them to maintain their bodies. Merely Menville wants to leave them. —Claudio Carvalho, Rio de Janeiro, Brazil
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nine/ 10
From The Sublime To The Ridiculous
At that place is then much greatness in this unexpected Hollywood comedy that the cheap shots are really cheap and, quite bluntly, unbearable. Buried somewhere betwixt the special effects (boggling by the way) is one the wittiest satires to come out of Hollywood in many, many moons. Meryl Streep is sensational and Bruce Willis is, I swear, unrecognizable in the best possible style. The movie hits the highest moments when, for instance, Meryl asks Isabella Rossellini how much the magic potion costs and Isabella replays: "Oh the sordid topic of coin" sublime, exquisite, funny just with enormous regard for its audience. But when Bruce calls Goldie Hawn to explain the "incident" at domicile he goes through a TV style monologue that seems to belong to a sit down-com and non to the elegant vulgarity of this three lamentable, magnificent wannabees. The dialog, for the most part, is the best in any American serious comedy since Billy Wilder. The structure of the script is flawless and inventive. The costumes are awful and certain scenes seem directed past a third assistant. I don't know how to explain it. However, I accept information technology, I ain it and sometimes I put it on with my finger in the fast forrard. What's skilful is then good that makes the whole thing really worth it.
- bethlambert117
- Mar 12, 2006
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Source: https://www.imdb.com/title/tt0104070/
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